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卧龙战警

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类型：动作地区：美国年份：1992 语言：英语

主演：劳伦斯·菲什伯恩杰夫·高布伦查尔斯·马丁·史密斯

导演：比尔·杜克

更新：2024-05-06 05:05:59

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剧情介绍

Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge. 详情

影片评论

2024-04-06 10:25:49

幽灵不会哭

4.5许多明显的粗糙痕迹：生硬的剪辑、幼稚的逻辑和刻板的表演，但以上这些的另外一面是漫画感十足的风格、迷幻有趣的镜头和深刻有趣的身份探讨，在90年代初期，斯派克李代表的黑人电影强势来袭的背景下，这个临时更改为黑人主角的黑帮电影变为了一个混沌的怪胎，但它证明了自己是一颗被遗忘的珍珠，带我们回到录像带盛行的年代，它洞悉了美国剿灭拉美贩毒集团行动的失败，更呈现出黑人视角下黑色电影叙事的诞生，黑人和黑鬼的区别是什么？在白人和黑人好兄弟搭档的情节中，我们看到了全然不同于主流好莱坞的表现，其中直接体现了黑人的主体意识